Related Paintings of unknow artist :. | Classical hunting fox, Equestrian and Beautiful Horses, 039. | Sallskaplig in hose dar he am spending grand component of its days | Book of Hours | Kriget | Book of Prayers of St Elisabeth of Hungary |
Related Artists:
Vassily Maximov
Russian 1844-1911,was a Russian painter, a prominent member of the Peredvizhniki group. Maximov was born to a peasant family in the village of Lopino near Novaya Ladoga. He became an orphan early and worked for an Iconpainting shop, where he first learned to paint. In 1863 he entered the Imperial Academy of Arts and in 1864 he became a member of an Artel of Artists created by P.N. Krestonovtsev by the example of Ivan Kramskoi. The artel existed only one year and was then disbanded. Maximov painted the Sick Child (1864) at that time, when received a Gold Medal of the Academia. He completed all the courses of the Academy in three years. In 1865 he (like the group of fourteen led by Ivan Kramskoi had done earlier) refused to take part in the competitions for the Major Gold Medal by Academia. He argued that he did not need to study abroad (that was a part of the prize) but rather would study the Russian village. Indeed, after graduation from the Academia he moved to the village of Shubino, in the gubernia of Tver, where he painted the peasant life, earning money as a painting teacher of the Princes Golenischev Kutuzov (descendants of Mikhail Illarionovich Kutuzov). His painting Grandmother tales (1867) was shown at a Peredvizhniki exhibition, where it won a prize and was bought by Pavel Tretyakov. In 1872 he was admitted to the Peredvizhniki group, and soon became one of its most prominent and rigorous members. Ilya Yefimovich Repin described Maximov as the most uncrushable stone in the foundation of peredvizhnechestvo. Maximov painted many paintings of the peasant life. In the last twenty years of his life, realism paintings fell out of fashion. Maximov still painted almost exclusively scenes of the peasant lives that had almost no buyers. The artist lived a life full of poverty and illnesses. He died in Saint Petersburg.
j. f. willumsen
(7. september 1863 i København - 4. april 1958 i Cannes) var en af pionererne bag det moderne gennembrud i dansk billedkunst omkring 1900. Han var primært maler, men mestrede de fleste kunstarter og arbejdede desuden som billedhugger, grafiker, keramiker, arkitekt og fotograf. J.F. Willumsen studerede ved Det Kongelige Danske Kunstakademi fra 1881 til 1885. Efter tre forgæves forsøg på at blive indstillet til afgangsprøven på Kunstakademiet, studerede han på Kunstnernes Frie Studieskoler i København. I 1891 var han med til at stifte Den Frie Udstilling, hvis udstillingsbygning han tegnede i 1898. Willumsen opholdt sig i hovedparten af sit liv uden for Danmarks grænser, hovedsageligt i Frankrig, hvor han under et ophold i Paris 1890-94 blev præget af symbolismen. I de følgende årtier blev han eksponent for flere af epokens kunstretninger og hans stil ændredes i mere ekspressiv retning. Willumsen tilbød en stor del af sine værker og kunstsamling til staten og arbejdede fra 1930'erne på oprettelse af et museum. I 1957, året før hans død, åbnede J.F. Willumsens museum i Frederikssund.
George Hayter
1792 - 1871 English painter and printmaker. He was the son of Charles Hayter (1761-1835), miniature painter, author of manuals for art instruction and Professor of Perspective and Drawing to Princess Charlotte. In 1808 George entered the Royal Academy Schools, and in 1815 was appointed Painter of Miniatures and Portraits by Princess Charlotte. Hayter was awarded the British Institution's premium for history painting for the Prophet Ezra (1815; Downton Castle, Heref. & Worcs), purchased by Richard Payne Knight. Encouraged by his patron, John Russell, 6th Duke of Bedford, he travelled to Italy to study in 1816, gaining election as an honorary member of the Accademia di S Luca in Florence. Returning to London in 1818, Hayter practised as a portrait painter in oils and history painter and occasionally acted as an art dealer. Dubbed 'The Phoenix' by William Beckford, Hayter showed a pomposity that irritated his fellow artists, but he mixed freely with many aristocratic families.